20.500.12556/ReVIS-12560 Exploring choreography through a graphic score master thesis of the higher education professional study programme of the second bologna cycle Dance, choreography Preučevanje koreografije skozi grafično partituro The purpose of the Master’s Thesis is a choreographic exploration of Cornelius Cardew’s graphic score Treatise, traditionally intended for musical interpretation. The research involved five international dancers in a brief but intensive workshop in Ljubljana, culminating in two performances. The key research objectives included an exploration of the graphic score’s potential as a source of inspiration and compositional material for dance, an assessment of the integration of the score with both improvised and set movement material and an exploration of the coherence of these elements within the final performance. Methodologically, the research utilised a daily diary format to capture the dancers’ perceptions and experiences, a survey with essential questions and post-performance individual interviews. The findings prompted a reflection on the evolution of dance from the modern, the postmodern to the contemporary dance era, highlighting the historical and theoretical context relevant to the Treatise dance performance. The thesis examines diverse approaches to the body, dance composition and choreography, addressing spatial, temporal, rhythmical and architectural considerations, providing a deeper understanding of the work’s spatial dynamics and compositional strategies. This study not only contributes to the understanding of graphic scores in dance but also challenges and expands the interpretative possibilities of non-traditional scores in performing arts. Magistrsko delo obravnava koreografsko raziskavo grafične partiture Corneliusa Cardewa Treatise, ki je tradicionalno namenjena glasbeni interpretaciji. Raziskava je vključevala pet mednarodnih plesalcev na kratki, a intenzivni delavnici v Ljubljani, ki je vrhunec dosegla z dvema predstavama. Ključni cilji raziskave so vključevali preučevanje potenciala grafične partiture kot vira navdiha in kompozicijskega materiala za ples, ocenjevanje združevanja partiture z improviziranim in določenim gibalnim materialom ter raziskovanje koherence teh elementov v končni predstavi. V metodološkem smislu so bili v raziskavi uporabljeni beleženje v obliki dnevnika za zajemanje percepcij in izkušenj plesalcev, anketa z bistvenimi vprašanji in individualni intervjuji po nastopu. Ugotovitve so sprožile razmislek o razvoju plesa od moderne do postmoderne in sodobne plesne dobe, pri čemer so bile izpostavljene zgodovinske in teoretične okoliščine, ki so pomembne za plesno predstavo Treatise. Delo preučuje različne pristope k telesu, plesni kompoziciji in koreografiji, pri čemer obravnava prostorske, časovne, ritmične in arhitekturne vidike, kar omogoča globlje razumevanje prostorskih dinamik in kompozicijskih strategij dela. Ta študija ne prispeva le k razumevanju grafičnih partitur v plesu, ampak tudi spodbuja in širi interpretativne možnosti netradicionalnih partitur v uprizoritvenih umetnostih. composition body shape space rhythm kompozicija telo oblika prostor ritem true false false M.Tomášik Angleški jezik Slovenski jezik Magistrsko delo/naloga 2025-11-12 16:24:46 2025-11-12 16:24:46 2025-11-13 03:07:28 0000-00-00 00:00:00 2023 0 Ljubljana 2023 Ljubljana 53 str., [17] f. pril. 0000-00-00 NiDoloceno NiDoloceno NiDoloceno 0000-00-00 0000-00-00 0000-00-00 793.3:792.8(043.5) 256957443 https://d.cobiss.net/repository/si/files/256957443/166956/Toma%C5%A1ik_Milan_md_2023.pdf 1 b98cd7c4-bfdb-11f0-94a7-001a4af901a5 https://revis.openscience.si/Dokument.php?lang=slv&id=14732 Tomasik_Milan_md_2024.pdf Tomasik_Milan_md_2024.pdf 1 9EF15FBC22707A15F1F9C8F0BDBEE47A 2eeace2abc23b21e6c00f176d6d59968f1a21bea60aff1a57110f1e9005c61c1 c3e93962-bfdb-11f0-94a7-001a4af901a5 https://revis.openscience.si/Dokument.php?lang=slv&id=14733 Univerza Alma Mater Europaea 0 0 0