20.500.12556/ReVIS-13192 Ustavno- in primerjalno pravni vidiki kolektivnega upravljanja pravic na avdiovizualnih delih Constitutional and comparative legal aspects of collective management of rights in audiovisual works zadnja novela zakona o avtorski in sorodnih pravicah iz leta 2022 je močno preoblikovala razmerja med ključnimi deležniki pri ustvarjanju avdiovizualnih del, tj. soavtorji, iz-vajalci in filmskimi producenti. Slovenija je sledila novejšim trendom v primerjalnem pravu, ki z neodpovedljivimi in ne-prenosljivimi poplačilnimi pravicami zagotavljajo pravično udeležbo ustvarjalcev na dohodkih iz sekundarnega izko-riščanja avdiovizualnih del. S tem se v evropski uniji krepi položaj kolektivnih organizacij, saj nacionalni zakoni za to-vrstne pravice običajno določajo, da se obvezno kolektivno upravljajo. Po drugi strani pa je treba zaradi ustavnega nače-la pravne varnosti in prepovedi retroaktivnosti iz 155. člena URS preprečiti, da bi nove zakonske določbe posegale v že obstoječa pogodbena razmerja med ustvarjalci in fimskimi producenti. v prispevku bomo preučili naravo novih pra-vic in jih primerjali s podobnimi ureditvami v primerjalnem pravu. Preverili bomo, katere izmed teh pravic bi lahko po-menile izziv z vidika prepovedi retroaktivne veljave pravic in kako naj k temu pristopi zakonodajalec. the latest amendment to the Copyright and Related Rights Act from 2022 has significantly reshaped the relation-ships between key stakeholders in the creation of audiovis-ual works, i.e., co-authors, performers, and film producers. Slovenia has followed recent trends in comparative law,which ensure fair participation of creators in revenues from the secondary exploitation of audiovisual works through ir-revocable and non-transferable remuneration rights. this strengthens the position of collective organisations in theeuropean Union, as national laws for such rights usually stipulate that they must be managed collectively. on the other hand, due to the constitutional right to legal security, it is necessary to prevent the new legal provisions from interfering with existing contractual relationships between creators and film producers. In this article, we will examine the nature of the new rights and compare them with simi-lar regulations in comparative law. We will examine which of these rights could pose a challenge in terms of the pro-hibition of retroactive effect of rights and how legislators should approach this issue. avtorsko pogodbeno pravo poplačilne pravice pravice do nadomestil avdiovizualna dela prepoved povratne veljave predpisov razvoj avtorskopravne zakonodaje copyright contract law remuneration rights audiovisual works prohibition of retroactive effect of regu-lations development of copyright legislation true false false Fakulteta za državne in evropske študije Slovenski jezik Angleški jezik Članek v reviji 2026-02-19 11:30:02 2026-02-19 11:30:03 2026-03-04 11:33:03 0000-00-00 00:00:00 2025 0 0 str. 297-320 [Št.] 104 2025 0000-00-00 Zaloznikova Objavljeno NiDoloceno 0000-00-00 0000-00-00 2025-01-01 342.7:347.9(497.4) 1408-9653 267630083 12_-_Eneja_Drobez.pdf 12_-_Eneja_Drobez.pdf 1 64889414CE210A3846291E21F929DBDC 97ab83653ca4a6aa8fc017cc3c4c9175c21dba72004d00625ac948c30a1ff911 135cf451-0d7e-11f1-9c9d-001a4af901a5 https://revis.openscience.si/Dokument.php?lang=slv&id=15637 Nova Univerza - Fakulteta za slovenske in mednarodne študije 0 0 0