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Title:Položaj žensk v punk glasbi : diplomska naloga
Authors:ID Vrtovec, Irena (Author)
ID Podgornik, Nevenka (Mentor) More about this mentor... New window
Files:.pdf RAZ_Vrtovec_Irena_i2014.pdf (975,71 KB)
MD5: CE1052E8F416BB3A0B999C07B09CF0DC
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FUDS - School of advanced social studies
Abstract:Diplomska naloga predstavlja položaj žensk v punk subkulturi, predvsem razmerje med spoloma in njihovo aktivno udejstvovanje v punk glasbi. Z razvojem glasbe se je razvijala in postajala množična tudi punk subkultura, v kateri so ženske našle svoj prostor za ustvarjanje ter tako postajale vedno bolj dejavne. V nalogi opisujem punk subkulturo tako v svetu kot v Sloveniji in bistvene elemente te subkulture. Poglavje o punk subkulturi zajema način izražanja, načelo DIY (»naredi sam«), vlogo fanzinov in načelo non-profit (neprofitnosti). Naslednje poglavje se osredotoča na gibanje Riot Grrrl in predstavlja njegovo zgodovino, od začetka delovanja v devetdesetih letih prejšnjega stoletja vse do danes. Ravno tako je opisana vloga glasbe in fanzinov ter najpomembnejše glasbene skupine, ki so delovale in pustile največji pečat v gibanju Riot Grrrl. Nato sledi poglavje o ženskah v punk subkulturi, in sicer od samih začetkov integracije žensk pa vse do danes. V nadaljevanju je navedena problematika žensk v tej subkulturi, saj za to še vedno velja, da je v domeni moških predstavnikov. Kot zadnje poglavje teoretičnega dela diplomske naloge pa so predstavljena angažirana besedila nekaterih glasbenih skupin. Empirični del diplomske naloge zajema predstavitev in interpretacijo rezultatov kvalitativne raziskave. S pomočjo individualnih, polstrukturiranih intervjujev so pridobljeni podatki, potrebni za analizo empirične raziskave. Intervjuji so opravljeni s šestimi glasbenicami, ki so aktivne v punk subkulturi. Cilj diplomske naloge je dobiti odgovore na glavno raziskovalno vprašanje glede enakovrednega statusa žensk v punk subkulturi. S pomočjo raziskave, ki sem jo opravila, sem dobila pritrdilni odgovor večine intervjuvank na vprašanje enakovrednega položaja žensk v punk glasbi.
Keywords:punk, subkultura, ženske, gibanje Riot Grrrl, fanzini, spolna neenakost
Place of publishing:Nova Gorica
Place of performance:Nova Gorica
Publisher:[I. Vrtovec]
Year of publishing:2014
Year of performance:2014
Number of pages:46 str., [24] f. pril.
PID:20.500.12556/ReVIS-8068 New window
COBISS.SI-ID:1024633153 New window
UDC:305-055.2:316.723:784.66(043.2)
Note:Na ov.: Diplomska naloga : visokošolskega univerzitetnega študijskega programa prve stopnje;
Publication date in ReVIS:29.07.2021
Views:2248
Downloads:87
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Secondary language

Language:English
Abstract:This present undergraduate thesis presents the position of women in punk subculture, focusing mainly on the difference between the genders and the active approach of women in punk music. With the development of music, the punk subculture also started to develop and grow. In this subculture women found their place where they were able to express their creativity and thus they became more and more involved. In this present undergraduate thesis I am describing the punk subculture worldwide as well as in Slovenia and the main elements of this subculture. The first chapter includes ways of expressing in the subculture, the principle of DIY (“Do it yourself”), the role of fanzines, and the role of the non-profit principle. The following chapter focuses on the history of the Riot Grrrl movement, from its beginning in the early nineties until today. The chapter also presents and describes the role of music, fanzines and the most important active musical bands, that have left a mark in the Riot Grrrl movement. Further on, follows the chapter dedicated to women in the punk subculture. It describes their integration, starting with the early years and up till today. Further on I’m describing the problems of women in this subculture, for this is a subculture dominated mainly by male representatives. Lyrics that represent strong social, political and feminist opinions are presented in the last chapter of the theoretical part of this undergraduate thesis. The empirical part of this undergraduate thesis covers the presentation and the interpretation of the results of the qualitative research. With the help of individual and half-structured interviews I have obtained the information, necessary for the analysis of the empirical research. The interviews have been carried out with six female musicians, which are actively involved in the punk subculture. The goal of the undergraduate thesis is to obtain the answers to the main research question regarding the equivalent position of women in the punk subculture. With the help of research, I obtained positive answers from the majority of the interviewed women regarding the question of the equivalent position of women in the punk subculture.
Keywords:punk, subculture, women, Riot Grrrl movement, fanzines, gender inequality


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