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Title:Zakulisje glasbene industrije v odnosu menedžmenta in založb do glasbenikov : diplomska naloga
Authors:ID Beganović, Fatima (Author)
ID Lamut, Urša (Mentor) More about this mentor... New window
Files:.pdf RAZ_Beganovic_Fatima_i2022.pdf (1,56 MB)
MD5: 52041F5AF8B9CC1FA93BA226E545FAF4
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:FUDS - School of advanced social studies
Abstract:Diplomska naloga se osredotoĉa na odnos menedţmenta in zaloţb do glasbenikov, s poudarkom na odnosu v zakulisju in negativnih praksah, ki se pojavljajo. V teoretiĉnih izhodišĉih, opisane so osnovne lastnosti, funkcije, ter zgodovinski razvoj menedţmenta in zaloţb v glasbeni industriji. Opisane so vrste, naĉini sklenitve in lastnosti pogodb, vsebina in pomembnost etiĉnega kodeksa, primeri slabih praks odnosa menedţmenta in/ali zaloţb do glasbenikov iz sveta, ter posledice, ki so jih slabe prakse prinesle v njihovi karieri in ţivljenju. Predstavljeni so tudi zgodovina, osnovne lastnosti, ter današnje stanje glasbene industrije v Sloveniji. Rezultati so pridobljeni s kvalitativno raziskavo, s pomoĉjo neposrednih pol-srtrukturiranih intervjujev opravljenih s sedmimi glasbeniki/glasbenicami, ki so del glasbene industrije v Sloveniji in so starosti od 18 do 30 let s doloĉenimi izkušnjami z menedţmentom in zaloţbami. Cilj raziskave je bil odgovoriti na zastavljena raziskovalna vprašanja, ki zajemajo opisovanje slabih praks, s katerimi so se sreĉali glasbeniki v Sloveniji v razmerju z menedţmentom in zaloţbami, ter opisovanje naĉinov, na katere so slabe prakse reševali. Raziskava je pokazala, da je problem slabega ravnanja menedţmenta in zaloţb do glasbenikov v Sloveniji v veliki meri prisoten. Veĉina glasbenikov je imela doloĉena neposredna ali posredna sreĉanja s slabimi praksami s strani menedţmenta in/ali zaloţb. Intenzivnost in narava slabih praks je od posameznika do posameznika razliĉna in edinstvena. Manjšina glasbenikov je imela izkljuĉno pozitivne izkušnje.
Keywords:glasbeniki, menedžment, založbe, sodelovanje, pogodbe, diplomske naloge
Place of publishing:Nova Gorica
Place of performance:Nova Gorica
Publisher:[F. Beganović]
Year of publishing:2022
Year of performance:2022
Number of pages:56, [31] str.
PID:20.500.12556/ReVIS-9469 New window
COBISS.SI-ID:126067715 New window
UDC:005
Note:Študijski program Uporabne družbene študije;
Publication date in ReVIS:23.12.2022
Views:723
Downloads:8
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Secondary language

Language:English
Title:Behind the scenes of the music industry in the relation of management and record labels towards artists : diploma thesis
Abstract:This present undergraduate thesis focuses on the relation of management and record labels towards musicians, with an emphasis on the relationship behind the scenes and the negative practices that emerge. Theoretical background describes the basic characteristics, functions and historical development of management and record labels in the music industry. The types, methods and characteristics of the contract, the content and meaning of the code of ethics, examples of bad practice of management and/or record labels towards musicians from all over the world and the consequences of bad practice in their careers and lives are described. The history, basic characteristics and current state of the music industry in Slovenia are also presented. The results were obtained through qualitative research, with the help of direct semi-structured interviews conducted with seven musicians who are part of the music industry in Slovenia and are from 18 to 30 years old with some experience with management and record labels. The aim of the research was to answer the research questions, which include describing bad practices encountered by musicians in Slovenia in relation to management and record labels, and describing how they dealt with bad practices. The research showed that the problem of mistreatment of management and record labels towards musicians in Slovenia is largely present. Most musicians have had some direct or indirect encounters with bad practices from management and/or record labels. The intensity and nature of bad practices varies from individual to individual. A minority of musicians have had exclusively positive experiences.


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